Cat Power sing Space Oddity, sorta

I’m kinda stumped here.  I stumbled upon this video of Space Oddity as performed by a band called Cat Power:

Now, it’s only thirty seconds long.

What’s that you say?  It’s a COMMERCIAL?

Sung by a girl band?

For a car?

That’s so tacky.  So cheap.  So, commercial.

I’d like to hear the full version tho.  They actually accentuate my favorite part musically of the song.  I’m not sure I’ve ever heard anyone else do it that way.

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Flight of the Conchords

Sometimes life throws curves at you that you don’t really see coming.  Sometimes those curves change your life in deep, profound ways.  This is not one of those.

My son has been fascinated with Concords.  The airplane that doesn’t fly anymore.  He particularly LOVES the crash video.  He buys toy Concords just to re-enact the crash, over and over.  As such, I have been pretty much burnt out completely on Concords.

And of course, Bowie has been a running theme throughout a majority of my life.  After thirty years of keeping up with Bowie and the strangeness that has been his world, I never bore of it.  Although Bowie himself is slowing down, those influenced by him just keep cranking the weirdness out.

So, this is where these two elements of my life come crashing together.  A bunch who call themselves Flight of the Conchords have redone a few Bowie tunes in a rather creative, if not odd to awful, way.

Here is their interpretation of Space Oddity:

Now, if you follow the leads on their Youtube video, they do all kinds of weird skits where Bowie appears to Bret in various costumes speaking words of wisdom. None of which really make any sense at all.

Now, the Concord/Bowie connection is a rather odd life meld. The other one is the actual interpretation the Conchords have of Bowie. That’s sort of been my connection to Bowie as well. Whenever things get me down, or life throws one of those complicated, depressing situations at me, I just crank up some old Bowie such as The Bewley Brothers or Moonage Daydream and seek all the guidance I need in the words of meaninglessness. Sometimes it’s best to just clear your mind completely. No one is better at that than Bowie.

H/T: Your civil Disobedience Servant
 

 

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Kashmir’s Memory of a Free Festival

Was obviously looking for something completely different, but stumbled on this in the process.  This is a band called Kashmir or something to that effect doing Memory of a Free Festival.  This is one of my fave’s and one I have remixed as well.  For the most part, I think I like their interpretation better.  You be the judge if ya wanna.

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Space Oddity on Hits A Go Go ( have you seen THIS outfit before? )

If you wanna see the evolution of David Bowie in its entirity, just watch all the videos of Space Oddity.  Or just do it here, I’ve got a bunch of them.  And, I’ll probably have a bunch more.  Never one of my favorite recordings, his live performances most often were much better than the studio.  Unfortunately, this is not one of those.  This is possibly the only time, outside of demo videos, you’ll see Bowie lip syncing here.  However, the unusualness of this performance is worth watching.  Remember Tommy James circa 1970 or so?  Just watch, it’s a great chuckle to me:

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Space Oddity, the original motion picture

Most people consider the RCA/Mick Rock video of a shock-red-haired androgynous Bowie as the original Space Oddity video.  A lot of sources will cite it as such.  However, about three years before that, while he was still David Jones, he actually prepared a demo for Space Oddity that is a hoot to me to this day.  This is a very young Bowie showing some of the almost child-like imagination that seemed prevalant through his early years.  I actually like it more than the glitzier RCA version of 1972.  If anyone has better information on this video, I’d love to have it here.  Here it goes:

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Memory of a Free Festival

Before Bowie was Ziggy, before he was The Thin White Duke, before he became African or animated, he was a long haired hipster singing folk songs, looking something like this:

However, also from the same album as Space Oddity was an odd little tune that gave everyone a truer idea of what he was thinking at that time, Memory of a Free Festival:

The Children of the summer’s end

Gathered in the dampened grass

We played Our songs and felt the London sky

Resting on our hands

It was God’s land

It was ragged and naive

It was Heaven

Touch, We touched the very soul Of holding each and every life

We claimed the very source of joy ran through

It didn’t, but it seemed that way

I kissed a lot of people that day

Oh, to capture just one drop of all the ecstasy that swept that afternoon

To paint that love upon a white balloon

And fly it from the toppest top of all the tops That man has pushed beyond his brain

Satori must be something just the same

We scanned the skies with rainbow eyes and saw machines of every shape and size

We talked with tall Venusians passing through

And Peter tried to climb aboard but the Captain shook his head

And away they soared

Climbing through the ivory vibrant cloud

Someone passed some bliss among the crowd

And We walked back to the road, unchained

“The Sun Machine is Coming Down, and We’re Gonna Have a Party”

OK, we’ve got Zen Buddhism, Woodstock, Heaven, God, ecstasy, aliens, bliss, and freedom. And, to finish it off, we’re gonna have a party. With the references to “Sun Machines”, bliss, and ecstasy, you’d think this song was written this year. However, it was written a long time ago, about 1967 or so. Somehow or another Bowie packed everything his world encompassed musically into one song. And, it also signaled a musical pattern Bowie would follow a lot for about a decade, meandering through a story without really saying anything. Who are the Children of the summer’s end? Hippies? Could be, we don’t really know. How many people would describe London as “ragged and naive, it was God’s land”? That’s not the London I know. Who is Peter and why do we care? Do Venusians speak English on Venus? So many questions, no answers. Just a strange, strange story. That’s what I liked about Bowie then. Every good song left you with the feeling of “WTF?”.

  • Here’s my version, I just did it on my new PC.

  • Here’s the original version via Sony, it’s like 99 cents or so.

  • Memory of a Free Festival originally appeared on Space Oddity ( Man of Words, Man of Music ).

I’d suggest the album first. I like my version a lot, but I refuse to allow anyone else hear me sing it!

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Space Oddity

It just suddenly struck me that in my desire to “interpret” some of my favorite Bowie tunes, I’ve forgotten probably his signature song, Space Oddity. If you don’t know the lyrics to this one by heart, you’re probably not hanging out here much. My interpretation is it’s a song about isolation, about being totally alone floating around Earth. However, another interpretation is Scott Carpenter, the astronaut, went into space about that time and did some very odd things while there, like reciting poetry and such. A lot of people credit this event as being the inspiration to Space Oddity. I believe it’s a combination of both. Regardless, there are MANY versions of this song, some better than others. But, it was this song that got me hooked on Bowie around 1975 or so when he appeared on The Midnight Special. Here is what I saw then:


It was basically the final farewell as Mick and David wouldn’t perform together for nearly two decades. The original demo to Space Oddity is a riot. But, it just doesn’t seem quite right here. So, I’ll save it for later. For reasons beyond my comprehension, the 1980 Floor Show has never been released in any capacity. Bowie would quickly ditch Ziggy after this show for the Young American and his glam days were over. But, boy, did he go out with a bang. More on that later.

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Rick Wakeman

Rick Wakeman is arguably the most gifted keyboardist to ever grace rock. His breakthrough came in 1973 with The Six Wives of Henry VIII. However, in 1969 he was still pretty much unknown, not having joined Yes for the first time. Somehow he teamed up with Bowie to do a couple of songs, one of which being Space Oddity. Rick then teamed up with Bowie again to do most of the songs on Hunky Dory. This album particularly showcased Wakeman’s talent. Changes and Life on Mars being two particularly good piano pieces. As far as I know, this ended the Bowie/Wakeman colaborations, much to the loss of both. Although Wakeman enjoyed some success for a few years, especially teaming up with Elton John for Madman Accross the Waters, the piano riffs of Changes remain probably the most memorable effort he ever made. With Bowie’s creativity and Wakeman’s talent, there could have been some really good stuff there. And, given Wakeman’s tendency to go way over the top in total absurdity ( see this description of the live performance of King Arthur ), I can’t help but wonder why it is whenever Bowie records with someone, they either die or go temporarily nuts?

Here’s my versions of a few Bowie/Wakeman tunes.

And here’s the originals:

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Cygnet Committee

Another of my all time favorites. Bowie’s first truly production album featured Space Oddity. However, as great a song it is, Cygnet Committee was Space Oddity on steroids. At over nine minutes long, it tells the story of a rebellion from both the perspective of a financial supporter, and then from a rebellion leader as well. It meanders, the music builds somewhat, and it ends in a over-emotional plea that the rebellion member just wants to live. This to me was Bowie at his most bizarre and creative self. He didn’t have elaborate instrumentation, Wakeman and Ronson were yet to on the scene. It was primarily Bowie with accoustic guitar and little else. This was folk on acid. The lyrics are funny as hell in their bitterness and IMO, confusion. Before you listen to anything else from this pre-Ziggy era, listen to Cygnet Committee.

Here’s my version. I think it sounds better musically, but I’ve got a lot more to work with than Bowie did then. It’s also from another Lunamagic midi as well, which means it’s great.

And here’s the original, it’s on the remastered version of the remastered version.

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