Transformations

Most of Bowie’s most popular songs, and some of his lesser known songs, don’t quite resemble the originals.  Space Oddity has taken on several re-mixes and re-recordings.  But, it stayed pretty close to the original.  The song that always caught my attention when it came to do-overs is Moonage Daydream.  Now, this is purely an audio experience because I’m not sure there is any video footage of Bowie performing as Arnold Corns.  As such, in order to fully appreciate the scope of this transformation, you have to listen to the entire version of both to appreciate the conclusion I come to at the end of this post.  Ready?  For newbies, I’m quite certain you’re not expecting what you are about to hear.  This is the original version of Moonage Daydream, as recorded by David Bowie performing as Arnold Corns:

Now, once you’ve finished that one in its entirety, here’s what it became as Ziggy Stardust:

Finished? Now, the conclusion you’ve been waiting for:
It’s amazing what Mick Ronson can do to a song, huh?

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Arnold Corns

In 1971, Bowie was busy touring, sorta, busier chasing records companies, and writing music.  Now, this is pre-Hunky Dory we’re talking about.  Bowie wasn’t too heavy at this time.  However, he was already into his changing personnas.  And, while bored on the road, he was writing his big project.  As the story goes, RCA wasn’t too keen on his new project since basically no one knew who Bowie was, but he was wanting to do a double-lp anyway ( which was pricey in those days ).  So, Bowie decided to do a test run with his new line-up and release some of the songs RCA was bucking.  His new line-up was quite odd to say the least:

Freddi aka Rudy and Bowie

He enlisted Freddi Buretti, aka Rudy Valentino, to be his front man.  According to legend, Rudy didn’t really sing or play any instruments.  He eventually became Bowie’s designed for the Ziggy tours.  Rudy eventually became immortalized in song:

Tony went to fight in Belfast
Rudi stayed at home to starve
I could make it all worthwhile
as a rock & roll star….

That’s opening lines to “Star” on Ziggy Stardust.  Bowie also hooked with a band called “Ronno” as his backup.  Ronno consisted of Mick Ronson on guitar, Trevor Bolder on bass, and Mick Woodmansey on drums.  Originally Ronno was going to go it alone after the demos, but apparently changed their mind.  This odd lineup resulted in four songs:

  1. “Hang on to yourself”.  This became a staple opening song for Bowie on several tours.
  2. “Looking for a friend”. Pretty much disappeared after it was recorded.
  3. “Man in the middle”.  Pretty much disappeared after it was recorded, but has been a cult favorite for Bowie fans since. And last but not least:
  4. “Moonage Daydream”.  Now, to me, this is where it gets odd.  This ain’t the Moonage Daydream you’re used to.  This is something completely different.  I had it bootleg version for a long time and loved it.  However, the CD did what all CD’s eventually do and refused to play after a few years.  I went a long time without hearing it.  However, a while back, JeniQ wondered why her version of Moonage Daydream didn’t have the common opening lyrics of “I’m an alligator”……  To which I had to reply with the only idea I had, she MAY have the original Arnold Corns version.  To say the least, it’s different.  I bittorrented and found a copy of the original Arnold Corns demos.  It flooded me with memories.  And, it was exactly as I had explained.  It has almost totally different lyrics.  So, I was trying to figure some way to host the songs here when I stumbled upon a youtube edit some guy did with the original Moonage Daydream.  I was flabbergasted.  So, without further todo, here it is.  Moonage Daydream as performed by Arnold Corns:


It’s so different, yet eerily the same. I love both versions!

Needless to say, after Bowie formed the Spiders, Ronno was no more. Freddi returned to the fashion industry as far as I cantell. I can’t find anything on the guy at this time. Not sure what his contribution was to creating Moonage Daydream, if any.

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The Guitars of David Bowie?

Luke Slater over at TinMachine does a really neat survey of the guitars Bowie has used through the years.  He comes to the conclusion Bowie basically has two guitars.  One acoustic, one electric.  Luke then finishes up with a conclusion that loses me.  He thinks this is sad.

Now, ya gotta remember that for the most part, Bowie never considered himself a guitar player.  Sure, he’s strummed a lot, but find a video where Bowie gets down on a guitar.  It don’t happen.  He plays piano, keyboards, saxophone, whatever it takes to get the sound he wants.  No biggie.  Also, consider the guitar players he’s hung out with over the last forty years or so:

  1. Mick Ronson
  2. John Lennon
  3. Jeff Beck
  4. Peter Frampton
  5. Stevie Ray Vaughn
  6. Nile Rodgers
  7. Charlie Sexton
  8. Earl Slick
  9. Carlos Alomar
  10. Adrian Belew
  11. Robert Fripp
  12. Reeves Gabrels
  13. David Gilmour

If I could count on that line-up to make me sound good, I’d have two less guitars than Bowie does.

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Freddie Mercury

From the “official” Freddie Mercury website:

Freddie Mercury was born Farrokh Bulsara on September 5th 1946 in Zanzibar, to parents Bomi & Jer Bulsara. Freddie moved to India in 1947. He attended boarding school in Panchgani, just outside Bombay. Whilst there he began his piano lessons, reaching Grade 4 in practical and theory. The family, with the addition now of younger sister Kashmira, moved to England in 1963.

Freddie left Isleworth school in 1964 with three “O” levels and one “A” level in Art. He went to Ealing College of Art to study Graphic Illustration. He left college in 1969 with a Diploma in Graphic Art & Design (the equivalent of a Degree). Freddie joined his first serious band in 1969, the were called IBEX.

Freddie stood 5ft 9 inches tall with black hair and dark brown eyes. He was single and shared his large house and garden with several cats, creatures he adored. He loved opera and ballet, Marilyn Monroe was his favourite actress and Aretha Franklin just one of his many favourite singers. He liked to drink either Champagne or iced Vodka and Indian food was one of his favourites. He sadly died on November 24th 1991.

Now, what this incredibly brief bio leaves out really, is how a young quite gay Zanzibarian living in India being trained in classical piano would wind up being a huge rock star in the United States. Queen sort of faded towards the end, but when I was a teen, they ruled. A much better bio is on The Biography Channel. However, it’s a lot easier to just state the obvious. Queen was getting a little airplay, and very little critical acclaim, until they released one song that changed everything both for them, but for music video and rock in general as well, Bohemian Rhapsody:

From that point on, Freddie had the resources to do whatever he pleased. Although never quite as wild as say, Bowie or Elton John, Freddie developed a reputation for putting hellacious shows that were, let’s say, extravagant. And, quite frankly, in very short order, it became rather obvious that Freddie was quite gay. Not your closet gay, but your extremely flaming gay. He didn’t come right out and admit it, but like George Michael, you just knew it. Mercury was quite private. Not in a denial sort of way, but just very quiet about everything. He espoused no political views, he was firm in his religious faith but never spoke of it, and was extremely gay and never said anything about it. Even in the homophobic rural area I live, Queen rocked. You just sort of ignored how he acted.

In 1981 Queen teamed up with Bowie, their first collaboration outside of their own group. The result was a monster favorite of mine during a period where Bowie teamed up with several other performers. I had no idea it was coming, and the song hit me like a ton of bricks as it was by far the most powerful song he had done in a few years. Without any reason to babble on more about “Under Pressure”, here it is performed by Freddie and Queen in 1986 or so:

In 1990 Vanilla Ice exposed what rap was all about by blatantly ripping the bass line from Under Pressure. The criticism he got over that pretty much ended his career ( that and the fact he basically sucked ).

In 1992, a decade after Bohemian Rhapsody burned up the charts and made Queen famous, Mike Myers would give it an entirely newl life of it’s when it was featured in Wayne’s World.

Things were going just fine for Freddie Mercury, except for one problem. He had AIDS. Like the rest of his life, he kept this issue very private. People speculated as his physical health very obviously deteriorated. Finally on November 23, 1991, Freddie announced publicly his situation:

“Following enormous conjecture in the press, I wish to confirm that I have been tested HIV positive and have AIDS. I felt it correct to keep this information private in order to protect the privacy of those around me. However, the time has now come for my friends and fans around the world to know the truth, and I hope everyone will join me, my doctors and all those worldwide in the fight against this terrible disease.”

The next day, he died.

In April 1992, a benefit for Freddie Mercury was performed with a rather incredible line-up. However, a couple of Bowie performances stood out:

And, more importantly, Bowie was about to lose yet another person he had performed magically with for years. Mick Ronson would die almost a year to the date later of cancer. This would be the last time they ever played together:

The main legacy Freddie gave to rock was opera. With their promo video for “Bohemian Rhapsody”, artists suddenly were no longer restricted to touring and toying with songs to test their marketability. Bohemian Rhapsody pre-dated MTV. But, what it did was set the stage FOR MTV. With David Bowie, Queen, Gary Numan, and a hand full of others, rock became more than just music. Because it became more than just music, a venue other than radio had to exist. That new venue was music TV. Now, for us older rockers, every time I see a well made music video ( which is getting kinda rare these days ), I either think of Bowie’s Ashes to Ashes, or, more appropriately, the four faces opening Bohemian Rhapsody.

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Space Oddity

It just suddenly struck me that in my desire to “interpret” some of my favorite Bowie tunes, I’ve forgotten probably his signature song, Space Oddity. If you don’t know the lyrics to this one by heart, you’re probably not hanging out here much. My interpretation is it’s a song about isolation, about being totally alone floating around Earth. However, another interpretation is Scott Carpenter, the astronaut, went into space about that time and did some very odd things while there, like reciting poetry and such. A lot of people credit this event as being the inspiration to Space Oddity. I believe it’s a combination of both. Regardless, there are MANY versions of this song, some better than others. But, it was this song that got me hooked on Bowie around 1975 or so when he appeared on The Midnight Special. Here is what I saw then:


It was basically the final farewell as Mick and David wouldn’t perform together for nearly two decades. The original demo to Space Oddity is a riot. But, it just doesn’t seem quite right here. So, I’ll save it for later. For reasons beyond my comprehension, the 1980 Floor Show has never been released in any capacity. Bowie would quickly ditch Ziggy after this show for the Young American and his glam days were over. But, boy, did he go out with a bang. More on that later.

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Moonage Daydream

Moonage Daydream was the song that would make Ziggy famous. Somehow it morphed from a funky folk ballad Bowie originally sang as Arnold Corns with Freddie Buretti. That version was a classic in itself, but to me, the Ziggy Moonage Daydream was the heaviest thing I’d ever heard. I don’t really know what Mick was doing to his quitar, sounds like he was playing along with synthesized strings, but his solo just went everywhere. It was the closest thing to rock mayhem Bowie would get on vinyl for a long, long, time. I’m not sure who convinced Bowie to let Mick loose for once, but it worked. They should have done it a lot more, Mick’s talent was rarely fully explored with Bowie. Moonage Daydream has always been my Bowie staple. Other songs come and go in my Top 10 list, but Moonage Daydream, both versions, have remained way up there on the list, usually #1.

Here’s my version, I like it. It’s one of my favorite remixes.

Here you can find Bowie’s Moonage Daydream. I believe this version of Ziggy Stardust has both versions. If it doesn’t, find the Arnold Corns version, it’s worth the trouble. The second column is “Ziggy Stardust: The Motion Picture”. It features Mick at his absolute best. Bowie pretty much broke up the Spiders during this show ( “Not only is it the last show of the tour. But, it’s the last show we’ll ever do.” ) It wasn’t their last show, but it was pretty much the end.

If you want just the song, you can get it on Itunes
for about 99 cents:

David Bowie - The Rise and Fall of Ziggy Stardust and the Spiders from Mars - Moonage Daydream



September 25, 2006 UPDATE: Here’s Bowie’s best performance EVER of Moonage Daydream.

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